Thursday, December 31, 2020

TnJ 822 (12/31/20)

Well, here's a cross-section of high points from a low year, the cream of the crop, the best of 2020!

-HOUR ONE-

ROGER WATERS – Us and Them > Brain Damage > Eclipse  (2020 Us + Them, ca. Jun 2018 Ziggo Dome, Amsterdam, Netherlands)

KITCHEN DWELLERS – Pigs [Three Different Ones]  (2020 Reheated, Vol. 2 EP)

WOOD BROTHERS – Little Bit Sweet  (2020 Kingdom in My Mind)

JASON ISBELL and the 400 UNIT – Letting You Go  (2020 Reunions)

BELLA WHITE – Just Like Leaving  (2020 Just Like Leaving)

MY MORNING JACKET – Feel You  (2020 the Waterfall II)

WAXAHATCHEE – Oxbow  (2020 Saint Cloud)

JON STICKLEY TRIO – Checkered Past  (2020 Scripting the Flip)

-HOUR TWO-

INSPECTOR CLUZO – Hey Hey, My My [Into the Black]  (2020 the Organic Farmers Season – Unplugged Live)

NATHANIEL RATELIFF – What a Drag  (2020 And It’s Still Alright)

MATT MAESON – Hallucinogenics  (2019 Bank on the Funeral)

KING GIZZARD & the LIZARD WIZARD – Straws in the Wind > Some of Us > Ontology  (2020 K.G.)

GREYBOY ALLSTARS – the Skipper  (2020 Como de Allstars)

MONOPHONICS – Last One Standing  (2020 It’s Only Us)

LETTUCE – Blaze  (2020 Resonate)

G. LOVE w/ ROOSEVELT COLLIER – SoulBQue  (2020 the Juice)

PHISH – Sigma Oasis  (2020 Sigma Oasis)

EOB – Shangri-La  (2020 Earth)

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Wednesday, December 30, 2020

TnJ BEST of 2020

It’s been a weird year for everyone, but especially for those who work in the live entertainment industry.  Hopefully, through efforts like those spearheaded by NIVA (the National Independent Venue Association) to Save Our Stages, we will be able to return to enjoying live music when the pandemic worries subside.  Meanwhile, hats off to all the performers who continue to produce music we love from the safety of lockdown, and here’s hoping we may gather again in real life someday.

 

-TOAST’S FAVORITE STUDIO ALBUMS of 2020-

01) JASON ISBELL and the 400 UNIT – Reunions

The reigning King of Americana (if Americana’s even a thing), the gravelly-but-still-very-much-like-Jackson-Browne defector from Drive-By Truckers puts his new band through their paces and comes up aces with another pleasing collection of songs.  If it sounds like I’m being sarcastic it’s only because he’s so universally lauded I feel like pushing back, but the fact remains these are well-constructed, well-played, well-recorded songs that sound, by and large, like instant heart-warming nostalgia.  He may yet prove to be the best singer-songwriter of his generation. 

HIGH POINTS:  Overseas, It Gets Easier, What’ve I Done to Help, Running with Our Eyes Closed, Dreamsicle, Letting You Go

 

02) GREYBOY ALLSTARS – Como de Allstars

Since they only seem to reconvene every several years, catching them is like catching a total eclipse, but this time the result is absolutely stellar so park it, spark it, and soak it all in.  Possibly the funkiest of all Karl Denson’s various projects, GBAS continue to shine as the soundtrack to the greatest 70s film you’ve never seen, possibly because it only exists in your dreams.  You could call it jazz but that makes it seem like background in a noisy cafĂ©.  This music demands that you pay attention, possibly while dancing.

HIGH POINTS:  Como de Allstars, Complete Breakfast, the Skipper, Executive Party, Les Imperials

 

03) PHISH – Sigma Oasis

This sounds more like a Phish album than any in the 2.0 or 3.0 catalog.  Perhaps because they’ve stripped back the temptation to experiment and simply play in the groove.  It’s their expertise after all; I’m just surprised it took so long to circle back around.  Some of these songs benefit from having been worked out live for a few years but as an album this whole affair feels tingly and happy, like you might be about to leave your body.

HIGH POINTS:  Everything’s Right, Steam, Sigma Oasis, Mercury, Thread

 

04) TAME IMPALA – the Slow Rush

Australian Kevin Parker moves even farther from making guitar-oriented music but still produces shimmery, neon-colored psychedelia.  How he manages to make loneliness and grief sound like the sun is shining on top of Big Rock Candy Mountain, where a rave has been bumping for a week but nobody’s tired of dancing yet, is still Tame Impala’s greatest mystery.  The non-album single “Patience” is a winner too.

HIGH POINTS: Borderline, Is It True, Tomorrow’s Dust, Breathe Deeper, One More Year

 

05) LETTUCE – Resonate

If the cover art is any indication, this is meant to be a companion album to last year’s excellent “Elevate.”  Whether it’s supposed to be the second in a series (like a double-album released in two individual parts) or just songs leftover from those sessions, “Resonate” comes across much stronger and more self-assured than its twin.  Of all the bands that generate “new rare grooves,” Lettuce is proving to be the best.

HIGH POINTS:  House of Lett, NDUGU, Silence Is Golden, Blaze, Mr. Dynamite

 

06) MY MORNING JACKET – the Waterfall II

It’s apparently a known fact that these songs were all held back from the last MMJ album (the Waterfall, 2015).  Well, if they’re still holding on to enough to form “the Waterfall III,” I wish they’d get along with releasing it already.  These may not be the most adventurous songs in their repertoire, but they do prove that MMJ doesn’t strictly need to be adventurous to be downright enchanting.

HIGH POINTS:  Feel You, Magic Bullet, Wasted, Run It

 

07) EOB – Earth

For anyone who disagrees with the notion that Radiohead can be thought of as “more-experimental U2,” give a listen to “Shangri-La” from Ed O’Brien’s solo album (oddly – because it stands so sure of itself – his first).  Surely Radiohead is greater than the sum of its parts, but why it took EOB so long to step out of the shadows is anyone’s guess.  “Earth” is a revelatory combination of melody and atmosphere.

HIGH POINTS:  Shangri-La, Brasil, Olympik, Banksters   


08) KING GIZZARD & the LIZARD WIZARD – K.G.

The prolific KGLW has returned to the microtonal well they originally plumbed 7 albums and a mere 3 years ago.  While some might accuse them of suffering from musical ADHD, I saw them on that tour and can see why they chose to revisit the microtonal milieu.  Rumor has it the next album (titled “L.W.”) comes soon and I’ll be ready to buy it whether it’s microtonal or not.  Such is the compelling and unusual appeal of KGLW.

HIGH POINTS:  Intrasport, Minimum Brain Size, Automation, Honey

 

09) WOOD BROTHERS – Kingdom in My Mind

Though probably not the best album in their history, the Wood Brothers are such a well-oiled machine that anything they release is bound to be above-par listening.  “Kingdom in My Mind” continues their genre-blending quest to be the most interesting folk band on the planet, if not the most commercially successful.  If jazz-folk isn’t already a thing, they should lay claim to that label.

HIGH POINTS:  Little Bit Sweet, Alabaster, Little Bit Broken, Don’t Think About My Death

 

10) WAXAHATCHEE – Saint Cloud

Katie Crutchfield seems aware that feelings can be messy, and furthermore, if you’re going to sing about your feelings it can come out messy, and that is totally okay.  She’s not laboring over the details to try and smooth out the rough edges, in fact those rough edges are probably the aesthetic “finish” she’s striving for.  If you thought she couldn’t possibly top 2017’s “Out in the Storm,” think again.

HIGH POINTS:  Lilacs, Fire, Oxbow, Hell

 

-TOAST’S FAVORITE LIVE ALBUMS of 2020- 

We are especially grateful for these recorded live experiences in the Age of COVID…

 

01) JIMI HENDRIX EXPERIENCE – Live in Maui

Recorded 7/30/1970, just weeks before he died.  Decades later, Jimi’s playing is still unique and incredible.

 


02) ROGER WATERS – Us + Them

Recorded in Amsterdam, 2018.  With help from Lucius and Jonathan Wilson, Waters cranks up the emotionalism and satire to eleven.

 

03) GOOSE – Alive and Well

Recorded at various locales, 2019.  Cements their reputation as a rising star in the jam band firmament.

 

04) JOHN LEE HOOKER – Live at Montreux 1983

Hooker is firing on all cylinders and is joined by Luther Allison, Sugar Blue and more for the show-closing jam.

 

05) TREY ANASTASIO BAND – Burn It Down

Recorded on tour in January, 2020.  Named for the incendiary performances TAB was hitting on night after night.

 

06) TESKEY BROTHERS – Live at the Forum

Recorded Nov. 2019 in their hometown of Melbourne, Australia.  They get to flex their muscles and stretch things out a bit live.

 

07) JERRY GARCIA BAND – Garcia Live Volume 13

Recorded at the now-defunct (but fondly remembered) Poplar Creek Music Theatre on 9/16/89, featuring Clarence Clemons on sax.

 

08) KING GIZZARD & the LIZARD WIZARD – Live in San Francisco ‘16

Recorded 5/25/16 at The Independent, San Francisco, CA shortly after the release of their studio album “Nonagon Infinity.”  Bonkers.

 

09) SPAFFORD – Live at the Drive-In

Recorded 5/24/20 at Digital Drive-In, Mesa, AZ.  This was the first advertised “drive-in” show within driving distance.  Other bands followed suit over the summer.

 

10) WAR on DRUGS – Live Drugs

Recorded at various locales, 2014-2019.  Sequenced to unfold as a WOD concert normally would.  Full immersion recommended.

 

-TOAST’S FAVORITE SINGLES of 2020-

01) BAKAR – Hell N Back

This song brightens my day every time I hear it.  Perfect and timeless.

02) ARLO PARKS – Hurt

Like a soothing balm and a reminder it “won’t hurt so much forever.”

03) JOHN PRINE – I Remember Everything

A heart-achingly poignant capstone on an impressive career. 

04) TWO TRACKS – Beautiful

Simple yet panoramic; folky yet danceable.

05) PRESSING STRINGS – Brave

Understated and positive, like good advice from a beloved relative.

06) ROBERT CRAY BAND – This Man

A song about voting out El Presidente, cleverly disguised as blues-from-infidelity 

07) FLEET FOXES – Can I Believe You

Melancholy and melodic, moves forcefully at the volume of a ghost’s whisper.

08) MATT MAESON – Hallucinogenics

Like an urban (or suburban) Jack Johnson, painting street life caricatures. 

09) SONGHOY BLUES – Worry

Proving that all the best guitar rock comes out of West Africa these days.

10) PHOEBE BRIDGERS – Kyoto

Confessional stream-of-consciousness set to a buoyant soundtrack.

 

-TOAST’S MOST COVETED BOX SETS of 2020-

TOM PETTY – Wildflowers and All the Rest

PRINCE – Sign o’ the Times (super deluxe edition)

GRATEFUL DEAD – June 1976

 

-TOAST’S LOCAL FAVORITES-

ALEX MARYOL – In the Meantime

DAVID BERKELEY – Oh Quiet World

BORIS McCUTCHEON – As Old As Española

 

-TOAST’S FAVORITE COVERS of 2020- 

KITCHEN DWELLERS [as PINK FLOYD] – Pigs (Three Different Ones)

AMBER MARK [as NIRVANA] – Heart-Shaped Box

KATIE PRUITT [as NEIL YOUNG] – After the Gold Rush

DAVE ALVIN [as BOB DYLAN] – Highway 61 Revisited

KAREN O / WILLIE NELSON [as QUEEN / DAVID BOWIE] – Under Pressure

LAZER LLOYD [as PRINCE] – Purple Rain

BLACK PUMAS [as TRACY CHAPMAN] – Fast Car

MOLLY TUTTLE [as GRATEFUL DEAD] – Standing on the Moon

JORJA SMITH [as ST. GERMAIN] – Rose Rouge

GHOST LIGHT [as TEARS for FEARS] – Head Over Heels (live)

 

-TOAST’S FAVORITE LIVE STUNT-

In a year when there were precious few live stunts to be had (and don’t think we don’t appreciate you all trying drive-in shows, or motor speedway shows), I’m giving the crown to Trey Anastasio Band for “The Beacon Jams,” a multi-week residency (crowdless, naturally) at the fabled Beacon Theatre in New York City.  This was as close to making lemonade from lemons as I think we were able to get this year.  The audio on the livestreams was excellent, and we got quite a few Phish-via-TAB debuts out of the deal.  Truly, it was the next best thing to being there.

 

-TOAST WOULD LIKE MORE, PLEASE-

BANANAGUN

BELLA WHITE

BUZZARD BUZZARD BUZZARD

CARY MORIN

JOE WONG

JOHN CRAIGIE

LAZER LLOYD

NUBYA GARCIA

PRESSING STRINGS

S.G. GOODMAN 

That’s all for this year’s listmania.  Looking forward to having excellent concert and festival highlights to feature in 2021!  Stay safe and be well (^_^)

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Thursday, December 24, 2020

TnJ 821 (12/24/20)

 Showcasing pieces from the best live releases of 2020...

-HOUR ONE-

GOOSE - All I Need  (2020 Alive and Well, 11/15/19 the Summit, Columbus, OH)

GRATEFUL DEAD - St. Stephen > Not Fade Away > Stella Blue  (2020 June 1976 [box set], 6/15/76 Beacon Theatre, New York, NY)

-HOUR TWO-

TESKEY BROTHERS - Honeymoon  (2020 Live at the Forum, ca. Nov 2019 Melbourne)

GHOST LIGHT - Isosceles  (2020 Cervantes, 3/30/19 Cervantes' Masterpiece Ballroom, Denver, CO)

SPAFFORD - Soil  (2020 Live, Vol. 3, 7/9/19 Camp Bisco, Montage Mountain, Scranton, PA)

WAR on DRUGS - Under the Pressure  (2020 Live Drugs)

JIMI HENDRIX EXPERIENCE - Dolly Dagger > Villanova Junction  (2020 Live in Maui, 7/30/70 Haleakala Crater)

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GA COMES ALIVE VIRTUAL FESTIVAL SAT 26th


 

Thursday, December 17, 2020

TnJ 820 (12/17/20)

-HOUR ONE-

JERRY GARCIA / MERL SAUNDERS – Man-Child  (2020 Garcia Live Volume 15, 5/21/71 Keystone Korner, San Francisco, CA)

MEDESKI, SCOFIELD, MARTIN & WOOD – Little Walter Rides Again  (2006 Out Louder)

WILL BERNARD – Grunk  (2020 Freelance Subversives)

GALACTIC w/ ANJELIKA “JELLY” JOSEPH – Santa Claus Is Coming to Town  (2020 single)

G. LOVE – Christmas Joint  (2020 single)

INFAMOUS STRINGDUSTERS – Maoz Tzur [Rock of Ages]  (2020 single)

MY MORNING JACKET – X-mas Curtain  (2001 At Dawn)

LEO KOTTKE / MIKE GORDON – How Many People Are You  (2020 Noon)

-HOUR TWO-

STURGILL SIMPSON – Welcome to Earth [Pollywog]  (2020 Cuttin’ Grass - Vol. 2)

OLD CALIFORNIO – Lyre of Orpheus  (2020 Songs from the Sea of Cortez)

NEAL CASAL – Green Moon  (2020 single)

ROLLING STONES – Emotional Rescue  (2013 Sweet Summer Sun – Hyde Park Live)

UMPHREY’S McGEE – Sociable Jimmy > Atmosfarag  (12/29/17 the Fillmore, Denver, CO > 2/17/17 Exploreashville.com Arena, stitched together for the Hall of Fame - Class of 2017 release)

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